In ‘Invisibility’, Ting-Ting Cheng’s photographs of found objects celebrate the banality of everyday | Installation View at TFAM | |
life. She collected a number of insignificant objects that were discarded on the streets and | ||
placed them on sculpture plinths. | "Invisibility 1" and "Invisibility 2" are in the collection of | |
Taipei Fine Art Museum. | ||
Cheng is working in a long artistic tradition that stretches back to Surrealism. She is more | The project is the winner of 'Artist without studio prize | |
directly inspired by contemporary artists such as Martin Creed and Fischli and Weiss, whose | 2009', Ben-Uri Gallery, London. | |
absurdist treatment of the everyday raises fundamental questions as to the nature and | It was selecte for Nord Art 2010. | |
materiality of art. | ||
These photographs are engaging and humorous. At the same time they raise environmental | ||
issues concerning the huge amounts of waste generated by our society much of which appears | ||
to be invisible to consumers. The clinical whiteness of the photographs encourages the viewer | ||
to inspect the image closely and to scrutinise the subject-matter in a new way hopefully | ||
rendering the invisible visible. | ||
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